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Immersive sound technology brings The Wizard of Oz to Las Vegas’ Sphere

Sphere Studios is leveraging Sphere’s audio technologies, along with newly discovered archival material, to create an experience that remains true to the filmmakers’ intent while bringing it new life.

“There’s Dorothy and Over the Rainbow as you heard them before, and there will be Dorothy and Over the Rainbow as you hear them now, with the film’s classic music taking on new clarity and immersion through Sphere Immersive Sound,” said Carolyn Blackwood, head of Sphere Studios. “The Wizard of Oz at Sphere, heard and felt through our cutting-edge technologies, will create a new emotional connection to The Wizard of Oz that is only possible at Sphere.”

To take advantage of Sphere Immersive Sound’s 167,000 programmable loudspeakers, and ability to direct sound anywhere in the venue, the original film’s mono score was re-recorded to take on new clarity via Sphere Immersive Sound, while preserving the casts’ vocal performances. The mono audio had to first be separated into individual stems of vocals, dialogue, and sound effects. This process, a collaboration between Sphere Studios and Warner Bros. Post Production Creative Services, used advanced audio technologies to create the individual components without distortion or artifact. Inside Sphere, the stems are being layered together to create a sound mix that reveals a depth and clarity unheard in the 1939 film.

To further maintain the integrity of the original score, the re-recorded score features more than 80 musicians playing in the 1930s style of film music, including techniques such as pizzicato and vibrato that were standard for the era, but are less common in modern scores.

While re-recording the score, each section of the orchestra was also recorded individually with state-of-the-art miking. Coupled with Sphere Immersive Sound’s directional capabilities and the vocal and sound effect stems, it will seem as though sound travels around the venue. For example, as the Tin Man tilts back and forth during his number, the isolated sound of the strings will also oscillate to emphasise his movement in visual and sonic unison.


“We approached the recording and mixing process for The Wizard of Oz at Sphere with a deep reverence for the original music, resulting in a breathtaking blend of legacy and innovation,” said Julianne Jordan, Grammy Award-winning music supervisor of The Wizard of Oz at Sphere. “Sphere Immersive Sound offers opportunities for sound mixing that go well beyond a traditional theatre, and this score will now be heard and felt with a level of clarity and immersion that was previously impossible.”

To enhance the immersion in The Wizard of Oz at Sphere, Sphere’s infrasound and haptic seat technology is being used for the first time to not only create vibrations, but also emit tones that emphasise moments in the film experience. For example, when the characters enter the haunted forest, an eerie tone will emanate from the seats.

“This is the first time sound technology has been used in this way in any venue,” said Paul Freeman, vice president and principal audio artist, Sphere Studios. “We developed a physical way of delivering sound that allows us to not only vibrate the seats, but also place a tone in them that puts you in the film – audiences will literally feel what they are hearing.”

The vibrations, infrasound, and Sphere Immersive Sound will come together for maximum impact during key moments of The Wizard of Oz at Sphere. The original film, shot for a 4:3 movie screen in the 1930s, will now fill Sphere’s 160,000 sq. ft. interior display plane, which wraps up, over and around the audience to create a fully immersive visual environment.

The sound creative team for The Wizard of Oz at Sphere includes Grammy Award-nominated music producer/sound designer Paul Freeman (Spies); Grammy Award-winning music supervisor Julianne Jordan (A Star Is Born); Academy Award-nominated composer David Newman (Anastasia); and Academy Award-winning sound engineer Shawn Murphy (Jurassic Park). And from Warner Bros. Post Production Creative Services: sound engineer Tony Pilkington (Sinners); Academy Award-winning supervising sound editor/sound designer Richard King (Dune: Part Two); and Cinema Audio Society-nominated re-recording mixer Tim LeBlanc (Superman).

The Wizard of Oz at Sphere opens August 28, 2025, with multiple showtimes daily.