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Live Nation and Ticketmaster found to be illegal monopoly by US Jury

A US federal jury has found that Live Nation, the entertainment giant that owns Ticketmaster, operated as an illegal monopoly and overcharged fans, in a landmark verdict that could reshape the live music industry.

The decision came after four days of deliberations in a seven-week trial in New York, with the jury concluding that Ticketmaster had overcharged customers by $1.72 (£1.27) per ticket over several years. That figure is expected to form the basis for calculating damages.

The case, originally filed in May 2024 by the US Department of Justice under former Attorney General Merrick Garland, argued that the company’s practices excluded competitors and led to higher ticket prices and poorer service.

As a result of the ruling, Live Nation could now be forced to divest parts of its business or even separate from Ticketmaster entirely. Such a move could open the market to smaller ticketing companies and independent venues, potentially lowering ticket prices and making it easier for emerging artists to secure bookings.

The legal action followed widespread scrutiny of the live events sector, including the fallout from chaotic ticket sales for Taylor Swift’s Eras tour in 2024, when the Department of Justice accused the companies of using their dominance to stifle competition and impose high fees on fans.

The jury’s verdict is not the last word on this matter. Live Nation has already accrued $280 million toward state damages & civil penalty claims. Live Nation

Although the Department of Justice reached a settlement with the companies in March 2026 and withdrew from the case, along with the states of Arkansas, Nebraska and South Dakota, prosecutors from more than 30 states continued to pursue the trial, led by California Attorney General Rob Bonta.

The verdict also comes amid political criticism of the earlier settlement. A group of Democratic senators said the agreement failed to address core issues in the live events market, commenting in a letter that, “fans, artists, and independent venues have suffered for too long under Live Nation-Ticketmaster’s monopoly control of live events. The recent settlement between Live Nation-Ticketmaster and the Justice Department fails to address these fundamental issues and stops far short of prying open this industry to new competition, innovation, and choice for consumers.”

John Rostron, CEO of The Association of Independent Festivals (AIF) – the national not-for-profit trade association representing the UK's independent music festivals – commented on the verdict, arguing that this is the first step towards challenging a wider issue across the music industry:

"AIF has long spoken out and provided evidence against Live Nation's control and practices, which harm artists, consumers and the rest of the live music sector. This jury ruling is a great first step to ending that harm, but this issue goes far beyond ticketing. 

"With similar influence across everything from festivals and concerts to venues and artist management, we now need similarly strong rulings in relation to the entire live music ecosystem across all territories. We hope that the Competition and Markets Authority will use this moment to expedite real action in the UK."

In response to the verdict, Live Nation released a statement, commenting that “the jury’s verdict is not the last word on this matter. Pending motions will determine whether the liability and damages rulings stand.”

Live Nation has stated it will soon renew its motion for judgment “as a matter of law”, which the Court deferred until after the jury returned its verdict. That motion addresses all liability theories. The Court previously noted that Live Nation’s motion raises serious issues.

There is also a pending motion to strike the damages testimony on which the jury’s award was based. The Court deferred ruling on that motion as well, while noting significant concerns with the damages expert’s analysis.

“Of course, Live Nation can and will appeal any unfavourable rulings on these motions,” said Live Nation. “The jury’s award of $1.72 per ticket applies to a limited number of tickets – those sold at 257 venues, which represent about 20% of total tickets – and only to purchases by fans (excluding brokers) in certain states over the past five years. Based on that scope, we believe the aggregate single damages figure would be below $150 million, which would be trebled. 

"In connection with the DOJ settlement, Live Nation has already accrued $280 million toward state damages and civil penalty claims. We remain confident that the ultimate outcome of the States’ case will not be materially different than what is envisioned by the DOJ settlement.”

Image credit: ©Disney



AIF has long spoken out against Live Nation's control & practices, which harm artists, consumers & the live music sector. John Rostron, CEO of AIF