Masquerade is one of the latest musicals to sparkle on New York’s Broadway — it’s directed by Tony Award winner Diane Paulus, and has been enjoying a run in the Big Apple since July this year. It’s a reimagining of The Phantom of the Opera, but its innovative concept immerses the audience directly into the action.
Instead of being seated, guests move freely through a multi-storey building in Midtown Manhattan, experiencing the performance from constantly changing perspectives. This staging and the specific room architecture placed extreme demands on the sound system, a challenge managed by sound designer Brett Jarvis and solved using the most extensive LD Systems audio installation globally to date.
The former Lee's Art Shop on 57th Street was completely remodelled for the production, transforming into a five-storey experiential world. Each floor features distinct settings, ranging from ballrooms to catacombs, where drama, music, dance, and set design merge. This free-roaming format has generated significant attention and ensured sold-out performances since its premiere.
Jens Kleinhuis, pro audio field application engineer with the Adam Hall Group, details the project's scale: “From the very first meeting with sound designer Brett Jarvis and Andrew Lloyd Webber producer Lee McCutcheon, it became clear that we had to pull out all the stops for Masquerade,” Kleinhuis and Ivan Klepac, Integrated Systems Field Application Engineer, designed an audio setup following extensive testing and training. The final installation comprises over 1,000 speakers, including approximately 660 CURV 500 satellites, 186 DQOR loudspeakers, and over 80 MAILA array systems, ensuring the audience is consistently within the immersive sound field.


