Opened in 1945, Bangkok's Rajadamnern Stadium, the oldest Muay Thai stadium in Thailand, stands as one of Thailand’s most revered sporting venues. Known as the birthplace of Muay Thai (Thai boxing) as a globally recognised professional sport, Rajadamnern is the world’s first dedicated Muay Thai stadium and has played a pivotal role in shaping the sport’s rules, cultures, traditions and global reputation. The venue also stands out for its one-of-a-kind circular design, ensuring an unobstructed view from every seat.
While the stadium’s historical significance remains unchanged, the grand vision of the Rajadamnern management team was to establish the venue as a premier global destination for sports and cultural experiences. Their mission was to create something unique; the time had come to reimagine the Rajadamnern experience, especially its AV systems, to bring the venue in line with modern expectations.
To celebrate the stadium’s 80th anniversary in 2025, the management team conceived the idea of the world’s first “Immersive Muay Thai.” To help bring this vision to life, they enlisted production specialist Andrei Mazuruc of ShowOne Productions in Canada to lead the project. Rajadamnern and Mazuruc chose to work with KV2 Audio for the audio system, which was supplied and installed by KV2’s distributor, Audio Gears in Bangkok.
According to KV2’s technical support director for APAC, Leo Tanzil, the design turned out to be more of a challenge than he had anticipated. “Rajadamnern had a bold vision for transforming the stadium to deliver a one-of-kind sporting and cultural spectacle, the world’s first full-on immersive Muay Thai experience,” recalled Tanzil. “On paper, the audio design looked as if it would be pretty straightforward – we just needed to hang four loudspeakers above the boxing ring facing each of the four quadrants – but no, Andrei quickly shot that idea down as didn’t want anything above the ring at all. Even the rigging from the previous audio and lighting system had to go. So, it was back to the drawing board.”
In fact, Rajadamnern and Mazuruc’s grand design saw the dome as a giant screen, like a planetarium, which meant that visually, there could be nothing that would impede sightlines or cast shadows on the projection – yet the audio system had to be powerful enough to provide crystal-clear commentary to every seat in the house as well as compelling immersive surround sound to elevate the atmosphere and energy of the fight.
“This was a real challenge,” admitted Tanzil. “A design based on a distributed system of perimeter loudspeakers around the dome wasn’t going to work either as Andrei wanted the ring master’s commentary to sound as if it was emanating from the ring – in other words, to be properly localised to the source – in addition to great immersive surround sound. And of course, the system had to be as compact and unobtrusive as possible.”