A set of reference monitors for under £200 - and you don’t even need an interface? Just a laptop, some software, and a decent USB Mic? Ultimately, yes: meet JBL’s 104-BT monitors, which, to me at least, have been hiding in plain sight for some time.
My discovery of JBL’s 104-BT compact reference monitors happened quite by chance. A friend recently asked me how she could transform her small spare bedroom into a sequencing and recording space on a £500 budget.
A large desk and a full-size MIDI keyboard meant there wasn’t much room to move in the space, so the solution had to be compact but have the ability to deliver quality audio.
After recommending a quick switch from GarageBand to Logic on her Mac Book Pro for its huge library of sounds, loops, and collection of MIDI instruments, it didn’t leave much wiggle room for speakers, interface and mic - but then I remembered seeing a couple of boxes in a friend’s studio while I was building him a vocal booth. Small JBLs, if memory served - but I didn’t know much more than that, other than they were Bluetooth, which doesn’t normally scream ‘recording studio’.
Regardless, I got hold of a pair from him, and discovered that they were the 104-BT model - the BT standing for Bluetooth - and priced around £169-179, depending on who you shop with.
First Thoughts
Regardless of their somewhat diminutive stature and spec, this is a pair of speakers which are surprisingly impressive.
Technically, the 104-BTs are a compact option with a main speaker and an extension connected via a simple 2-core cable. The coaxial driver design comprises a 118mm woofer and a 19mm soft dome tweeter with a reflex port to the rear, all housed in a solid moulded oval enclosure. To all intents and purposes you could be thinking these are simply a desktop computer speaker set, and while they are just that, I soon discovered that they clearly outperform anything I’ve heard that falls into this category.
For their size, they produce a really impressive sound. Not overly loud, of course, but punchy and pushy, with plenty of detail and a reasonably smooth high end with no obvious colouration. While there’s a roll off around the 80Hz area, the porting kind of enhances the low-mids to give a decent impression of the bass you’re missing, which, given the small oval shape and size, is all the more pleasing rather than disappointing.