SWAM Solo Woodwinds (Audio Modelling)
Last but not least, we take a detour into the world of audio modelling. The above woodwind VSTs largely rely on sampling to create their wind sounds, whereas SWAM Solo Woodwinds, using audio modelling, not only gives you highly realistic sounding instruments, but incredible control over expressiveness, playing techniques, breathiness, and other nuances not often found in a woodwind virtual instrument. It’s also nice to see saxophones included, which isn’t always the case. This is why the full woodwinds bundle is so pricey, but you can keep costs down by buying the instruments you want most individually.
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Should I buy woodwind VSTs or a full orchestra VST?
This really comes down to what you’re after and what your specific needs are. If it’s a project where woodwinds are really prominent and you’ll need solo clarinet and bassoon parts, for example, you will get huge value out of the specialist best woodwind VSTs.
The above woodwind virtual instruments have gone out of their way to ensure the wind instruments sound as realistic and high quality as possible. Perhaps more than when the goal is to deliver a great overall orchestra VST. That said, this is subjective, so take a moment to listen to the woodwinds in The Best Orchestral VSTs and see how much they differ to your ear.
If you think you will also need strings, brass, and orchestral percussion, and woodwinds aren’t your top priority, then the greatest value for you will likely come from a full orchestra pack, some of which aren’t priced that differently to those above, they come at almost all budgets (even free!). Many of the names above also offer the top virtual orchestras.
A top woodwind composition technique used by Mozart, Beethoven etc
There’s a wonderful composition hack for making your woodwinds sound beautiful in unison and like the classical greats themselves. It’s quite simple, you just divide the harmonies between instruments in a way that makes the woodwind section sound like a gorgeous and harmonious choir.
A typical way to do this is to give the top harmony to, say, the first flute. Then, instead of giving the next harmony down to the second flute player, give it to the first clarinet. Give the next lower part to the second flute, and the next to the second clarinet. If it’s a large bit of music with lots of harmony and octaves, you can do this across the full woodwind section with the oboes, bassoons, and other wind instruments you’re writing for. This way, the instruments all blend together in stunning fashion.
Hopefully, you now have the wind in your sails and feel ready to choose the best woodwind VST for your musical needs. All the best to you as you enter the concert hall.